Saturday, September 27, 2008
Keeping informed
Before I go to bed to rest for yet another busy day, let me make a pitch for everyone to read or keep reading Robert Reich's blog, which has had a lot of concise, smart commentary on the economic crisis at hand. The former treasury secretary is an especially interesting person to listen to at the moment that we may literally be handing our fortunes over to the current treasury secretary as a kind of financial czar. The link in my list of Blogs I Read below and to the right. As I write this, news sources are announcing that a tentative bailout deal has been reached, but no details are available yet. I'm waiting to read what I can and then get Reich's commentary, and make up my own mind.
And I am telling you...
I hope to find time to write something on Paul Newman soon, because I was genuinely sad when I saw the announcement of his death this morning. He was really a great actor, and did a lot of wonderful philanthropic work. He's been embedded in my consciousness all my life, it seems, from the tiny little movie glutton that I was as a child.
Tonight, just a quick note that I heard Jennifer Hudson perform a song from her album on Leno last night, and it was distinctly unimpressive. Sorry. I like her, though I (unlike the rest of humanity) did think that her big anthem, "And I Am Telling You," in Dreamgirls was oversung and overshot; on the other hand, "Love You I Do," a lighter number that she sings to Jamie Foxx's character earlier in the film, was absolutely perfect. This song was light, boppy, catchy, but nothing to it to show off her voice or to distinguish the music from so much other canned studio-made pop out there these days. Maybe the rest of the album is better. I am also sure that her acting will continue to be worth watching. Next up is The Secret Life of Bees.
Tonight, just a quick note that I heard Jennifer Hudson perform a song from her album on Leno last night, and it was distinctly unimpressive. Sorry. I like her, though I (unlike the rest of humanity) did think that her big anthem, "And I Am Telling You," in Dreamgirls was oversung and overshot; on the other hand, "Love You I Do," a lighter number that she sings to Jamie Foxx's character earlier in the film, was absolutely perfect. This song was light, boppy, catchy, but nothing to it to show off her voice or to distinguish the music from so much other canned studio-made pop out there these days. Maybe the rest of the album is better. I am also sure that her acting will continue to be worth watching. Next up is The Secret Life of Bees.
Thursday, September 25, 2008
Whistle while you work
You can tell I'm busy; the posts are getting shorter and further apart.
I must say that music really helps when you have to buckle down. Favorite albums to work to at the moment? The Killers' Hot Fuss, Queen's Night at the Opera, Guys and Dolls (I don't even know if it's the original Broadway cast; I don't have time to read the album cover!), Dreamgirls (the movie soundtrack, sorry purists), Hairspray (Broadway recording with one track from the movie), and Aerosmith's Get a Grip. Green Day is coming out next. I have Dookie and I'm not afraid to use it.
Absolute failures: Lupe Fiasco's The Cool, Cavalleria Rusticana, and a couple of showtunes concert medleys. Hip hop does not work. I have concluded that I need to be able to either sing along loudly or bang my head to whatever I'm listening to.
I must say that music really helps when you have to buckle down. Favorite albums to work to at the moment? The Killers' Hot Fuss, Queen's Night at the Opera, Guys and Dolls (I don't even know if it's the original Broadway cast; I don't have time to read the album cover!), Dreamgirls (the movie soundtrack, sorry purists), Hairspray (Broadway recording with one track from the movie), and Aerosmith's Get a Grip. Green Day is coming out next. I have Dookie and I'm not afraid to use it.
Absolute failures: Lupe Fiasco's The Cool, Cavalleria Rusticana, and a couple of showtunes concert medleys. Hip hop does not work. I have concluded that I need to be able to either sing along loudly or bang my head to whatever I'm listening to.
Friday, September 19, 2008
A Tale of Two Reviews
A Tale of Two Cities (the musical) had its opening last night. I was very curious to read the reviews, and the NY Times' Ben Brantley did not so much review it as take a hatchet to it... and the cast. Not a single thing of significant value did he find. The Post, on the other hand, gave it a more reasonable review, saying the music was like Les Miz plus dishwater (I'm willing to go along with that, though I don't think it's all true) but giving Barbour a rave and kudos to the rest of the cast, though I was surprised to see Natalie Toro go unmentioned. Brantley called Barbour 'grotesque.' I mean, that's just unreasonable. I would have understood if he had called him hammy, overacting, or pompous; I did notice the second time I went to see it that all the cast (including Barbour) had started to make their acting larger, which is not always better. But grotesque? That's a hell of an adjective to apply to any half-decent acting job, let alone a show-carrying performance. In any case, I would have forgiven grotesque for the sake of that voice.
It's not the first time I've disagreed massively with a Times review this month. Christopher Isherwood reviewed the new Spring Awakening cast and seemed so enamored with them and their dewy young complexions that I snorted. I think this is a case of the critic sitting in a good seat -- or at least not in the back row. Maybe I'm wrong; I'd love to know where he did sit. Personally, I recognize that the actors' youth and good looks suited the roles to a tee. However, sitting in the last row in the mezzanine, one naturally cares more whether the acting and singing have a great impact. Subjective, of course, since the teenagers in the row below us were delighted no end. No doubt that the cast are all lovely and talented, but the review was just... peculiar.
Ah, critics.
It's not the first time I've disagreed massively with a Times review this month. Christopher Isherwood reviewed the new Spring Awakening cast and seemed so enamored with them and their dewy young complexions that I snorted. I think this is a case of the critic sitting in a good seat -- or at least not in the back row. Maybe I'm wrong; I'd love to know where he did sit. Personally, I recognize that the actors' youth and good looks suited the roles to a tee. However, sitting in the last row in the mezzanine, one naturally cares more whether the acting and singing have a great impact. Subjective, of course, since the teenagers in the row below us were delighted no end. No doubt that the cast are all lovely and talented, but the review was just... peculiar.
Ah, critics.
Tuesday, September 16, 2008
Tone poem
I quite enjoyed this arts feature in the NY Times on Julian Schnabel painting Placido Domingo's portrait. As the author said, a lot of ego in one room!
Of course, I also enjoyed the SNL intro. Fit in your bits of media whenever you have time, say I.
Of course, I also enjoyed the SNL intro. Fit in your bits of media whenever you have time, say I.
Saturday, September 13, 2008
Oh, no!
Just read that the author David Foster Wallace has killed himself. Poor man -- and his family and friends, too.
His novel writing was not everyone's style, but he won a lot of fans in the tennis world with a NY Times piece on "Roger Federer as Religious Experience." It's really a tragedy.
His novel writing was not everyone's style, but he won a lot of fans in the tennis world with a NY Times piece on "Roger Federer as Religious Experience." It's really a tragedy.
Thursday, September 11, 2008
"One of the worst movies I have ever seen"
The TIME reviewer, on the new film The Women (starring Meg Ryan, Annette Bening, Eva Mendes, Jada Pinkett Smith, etc.).
Whoa.
Whoa.
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